Dr. Ying Zheng

Yunnan Arts University, Kunming, China

Interactive Video Installation Art Under New Media Art

The origin of video installation art can date back to around the 1970s. As a derivative of new media technology, with the development of new media art and technological development, video installation art was born naturally. The most prominent feature of  video installation art is its interactivity, which brings new interactive feelings to the audience's experience or its dramatic performance, and also creates new enlightenments for the concept of new media art. This article summarizes the development process and interactivity of video installation art, to conclude the characteristics of interactive video installation art with examples, and explore interactive video installation art.

Lyubov V. Shirshova

Doctor of Art History, Academician of the Russian Academy of Arts (Department of Art Studies and Art Criticism), Member of the Scientific and Methodological Council for Art Education of the Presidium of the Russian Academy of Arts

https://www.rah.ru/the_academy_today/the_members_of_the_academie/member.php?ID=51764

The Space of Zurab Tsereteli's Creative Personality in World Modern Art

The present paper is dedicated to the creative work of a master of international renown, Zurab Konstantinovich Tsereteli. Various aspects of his many-sided activity as a sculpture-pioneer are described here. Basing on the works of Tsereteli the author analyzes a broad picture of developments in the national artistic culture, individual features of the master’s craft that have come through both his monumental and indoor works.        

Prof. Xin Wei, Yu Fang

Wuhan Textile University, Wuhan, China

Research on the Composition of Regional Logos and Cultural Symbols Based on Minimalism

This paper probes into the composition of modern regional logos and cultural symbols based on minimalism and its design ideas and methods, and explores the development trend of modern regional logos design, so as to help modern designers have more design ideas for regional logos. Based on the current successful cases of minimalist logos in China and foreign countries, this paper analyzes the minimalist cultural symbol composition method and its intrinsic nature in specific regional logo design, and explores the various influences of minimalism on logo design in order to further outline the future trend and vision of regional logo design. It also takes the logo design of Jiang'an District in Wuhan City as practice to further demonstrate the feasibility of ideas and methods. The minimalist cultural symbols have diversified influences on modern regional logo design. This design method can provide a reference for regional logo design and innovation.